A common feature between the 5D Mark III and the 6D Mark II is the presence of an optical viewfinder on both cameras. Using the latter method, you may capture a sharp picture for framing even in brilliantly illuminated surroundings. Compared to the 6D Mark II, the 5D Mark III’s viewfinder has a bigger field of vision (100 percent), allowing a greater part of the shot picture to be viewed through it.
Overall, the EOS 5D Mark IV is more likely to appeal to photographers who want to use the viewfinder, whilst the EOS 6D Mark II is more likely to appeal to those who prefer to shoot in live view or with video. The use of Dual Pixel CMOS AF for touch focusing in live view mode makes the EOS 6D Mark II’s Vari-angle screen intrinsically more attractive, since it makes it simpler to see and control the camera from odd angles while shooting. Autofocusing via the viewfinder is handled by a 61-point AF array that may include up to 41 cross-type points, while the EOS 6D Mark II has 45 AF points, all of which are capable of becoming cross-type. The EOS 5D Mark IV’s 30.4MP sensor produces photos with a resolution of 6720 x 4480 pixels.
This is an example of how the Mark 3 gives an extra custom user setting, C3, but the Mark 2 only provides two, C1-C2, unique user settings. The Mark 3 also has an AF joystick, which allows for more rapid and sensitive AF point selection than the Mark 2. This feature was absent from the Mark 2. Many photographers will love the 5D III’s viewfinder, which provides 100 percent coverage and has a quicker maximum shutter speed than previous models. Studio photographers will like the fact that the Canon 5D Mark III has a PC Sync connection, which allows them to operate professional strobe lights from the camera’s viewfinder. The 6D Mark II features a touchscreen, but the 5D Mark III has a more traditional display on the back of the camera.
As a result, if you want to record video at all, the Mark 2 is the superior pick. In contrast, if you don’t, and you’re just interested in photography, the improved point distribution of the Mark 3 may be worth the extra money. With maximum apertures of f/8 on the 5D III, just the central AF point is accessible, and subject tracking is not possible in Live View. Because of its 61 point autofocus technology, the 5D III may be a better option for wildlife photographers who do not intend to use lens+extender combos in their photography. However, given the frequency with which wildlife photographers use extenders, they are likely to embrace the 6D II’s 45-point AF system, which provides much greater AF capabilities at f/8 than the 6D.
When it comes to image data, the 5D Mark III writes it to Compact Flash or SDXC cards, while the 6D Mark II writes it to SDXC cards. The 5D Mark III has two card slots, which might be quite beneficial in the event that a memory card malfunctions. The 6D Mark II is compatible with UHS-I cards (which allow for ultra-fast data transfer rates of up to 104 MB/s), however the 5D Mark III is unable to take use of Ultra High Speed SD cards. The Canon 6D Mark II is equipped with a dual-pixel CMOS AF sensor, while the Canon 5D Mark III is only equipped with a contrast sensor for autofocus.
While both cameras are designed to appeal to amateurs and semi-professional photographers, the 6D has higher all-around capabilities and is the preferable pick. While the 5D can unquestionably produce outstanding shots, the inclusion of an AF joystick as well as improved AF coverage are both welcome additions to the camera. In this particular instance, it just does not make sense to use an older digital camera.
Several prominent camera review websites have provided their overall evaluations of the cameras, which are included in the following table (amateurphotographer , cameralabs , digitalcameraworld , dpreview , ephotozine , photographyblog ). As can be seen, the expert reviewers generally agree on the overall quality of various cameras, although their ratings may vary in certain instances, emphasizing the previous argument that choosing a camera is typically a highly personal decision. They are able to create almost identical photographs because they use basically the same shutters, sensors, color settings, resolution, and ISO range. The changes are insignificant, so if money is a consideration, choose for the 6D, which costs 40 percent less.
Let’s have a look at the top view comparison between the Canon 6D MII and the Canon 5D MIII now. Continue reading in order to have a better understanding of how the Canon 6D MII and Canon 5D MIII compare, and maybe you will have enough information to make an informed decision on which camera is best for your needs. How can one distinguish between the two cameras – the Canon 5D Mark III and the Canon 6D Mark II – and which one is superior? A summary of the relative strengths of each of the models is provided in the next section.
Larger sensors, on the other hand, are more expensive to build, and as a result, larger and heavier cameras and lenses are increasingly common. As an added bonus, a big sensor camera will provide the photographer with additional opportunities to employ narrow depth-of-field to isolate a subject from its surroundings. DXO Mark has published information on sensor performance for a large number of cameras. Color depth (“DXO Portrait”), dynamic range (“DXO Landscape”), and low-light sensitivity (“DXO Sports”) of camera sensors are all evaluated and scored by this service. An overall camera score is also published by this service.
With its 3.2in LCD screen, the EOS 5D Mark IV has a slightly wider viewing area than the EOS 6D Mark II’s 3in screen, and its resolution is greater at 1.62million dots as well. The screen of the EOS 6D Mark II, on the other hand, has a Vari-angle design, which some users will no likely find more convenient. Their optical viewfinders have the same 0.71x magnification, albeit the EOS 5D Mark IV’s finder has 100 percent coverage, whilst the EOS 5D Mark III’s finder does not. This means that anything you see on the screen is exactly what you will see in the final picture.